A short film developed with artificial intelligence about Bayan Obo (Mongolia), where 80% of the minerals needed for digital technologies come from and where work is carried out under dramatic environmental and human conditions. Geopolitics, ecology, capitalism, conspiracies and a lone miner in search of a better future.
Emmanuel Van der Auwera
Emmanuel Van der Auwera (b. 1982, BE). He works with video, installation, sculpture, printmaking and often in tension between art and technology, reality vs. simulation and the trivialization of violence. He studied at Le Fresnoy - Studio national des arts contemporains, France and did the HISK residency in Ghent, Belgium. He was the first winner of the Goldwasserschenking awarded by WIELS and the Belgian Royal Museums of Fine Arts. He won the second annual Otazu Art Prize at Untitled, Art Miami Beach for his work VideoSculpture XXI (Vegas). His video work has been shown in festivals, museums and galleries, including Courtisane Film Festival, Ji.hlava International Documentary Film Festival, International Film Festival Rotterdam (IFFR), the Pinakothek der Moderne, Munich; WIELS, Brussels; Centro per l’Arte Contemporanea Luigi Pecci, Prato, the HeK - House of Electronic Arts, Basel, and recently in KW, Berlin (2024); Biennale de l'image mouvement de Genève, Switzerland (2024), 8th Yokohama Triennale, Japan (2024). His work is included in international collections including the KADIST Foundation, Dallas Museum of Art, the Otazu Foundation - Spain, Kanal Centre Pompidou, Belgium.
Screenings
O.V. in Chinese, English subtitled in English and Spanish